2018—Identity (typeface and photographs) for the Cap St-Fons, fr (plastic art center)
Workshop with Hugo Anglade et Alaric Garnier.

2018—Poussières d’or, Marcelline Delbecq — Artist-bouquet-object imagined in partnership with Alexandru Balgiu.
Offset (printing with Printon, Estonia)
Elementa 45gr, florist’s transparent paper and tissues
2 pages: one for the text and the second for the colophon
460 × 310 mm / 460 × 100 mm (18.11 ×12.20 in / 18.11× 3.93 in)
500 copies

Anaïs Chappelet

anais.chappelet@gmail.com
+33(0)6.08.98.33.75 (FR)

January 2021— Two weeks between Hudson, New-York, états-Unis (me), Moret-sur-Loing, France (Alexandru Balgiu) and Nîmes, France (students). Zoom and correspondance workshop about the notion of sentimental museum. *l'ouvre*
Chromocarton 300gr and varnish on one side (printed online)
105 × 148 mm (4.13 × 5.8 in). Letters from letraset plates.
500 copies

September 2018 Essay titled originally: « Traits de penser », III tableaux : le tiret, la page et la table — “Thought-dashs”, III scenes: the stroke, the page and the table

Spring 2018—Exhibition catalog, Partout mais pas pour très longtemps…, Perrache, Lyon and the Ricard Foundation, Paris, fr. Realized with Charlotte Carletto, supervised by Olivier Lebrun and Alexandru Balgiu
Offset (printing with Printon, Estonia)
Munken Print White 100gr, 150gr and 80gr and Kaskada black 80gr
Lay flat binding, double sided jacket cover
Embossing on 8 pages
216 pages
132 × 107mm (5.19 × 4.21in)
1000 copies

2020—Book-essay, L'écriture phasme: jeux d'entre états. Essay supervised by Catherine Guiral and Camille Pageard at the National School of Fine Arts in Lyon, France. About: lines, phantoms, copies, infra-mince, absences, animals, hands, fragments, ruins.
Laser printing, serigraphy and handwritten line
Glassine paper, wallpaper and Cyclus Print 130gr
Unbound, softcover
230 × 297mm (9.05 × 11.69 in), 32 pages
5 copies with unique covers
+ insert with my text thesis

2017—(1 week) Workshop with Philip Karrer. Work on the concepts of additions (positive) and deletions (negative).

2018—Impression offset, Le Doc, Paris, fr

((last update 05/15/21))

March 2021—Research with Elorah Connil (graphic designer) for utopian events. What? When? Where? How?
(false) Letraset with offset. Oil printing. Without computer.

2020—Object, chopsticks, laser engraving on clay. About 50 centimeters (19.68 in)
to point - to pick // to indicate - to gather

2020—Book and objets, Au lever du jour. Entrent une opératrice, un presque dompteur et quelques éclairs.
Research about the figure of the phasmid. Object editorial organized in three parts: boughs + text, exchanges through a window and how to draw a phasmid.
Laser printing
Munken print white 150gr, Chromolux 80gr and Elementa 45gr (inside)Cardboard and cloth (cover), Hardcover,
Thread sewn binding, swiss edition bound with two flaps
104 pages and 10 flying inserts
with the cover: 213 × 323 mm (8.38 ×12.7 in)
2 copies

2020—Objects, earthenware and enamels, drawings of stick insects. parallel between index (index dressé) and chopsticks.
fragments taken in the essay titled "Tuer les fleurs" written by Pascal Quignard
inkjet printer
5 copies (with différents sizes)

2020—Feuillet-leaf, Z,Zzz and Zigzags
Research about the letter Z. The story started with the first zigzag carved by a human on a shell…and finished with a pillow for the last word (of the sleeper) in the disctionnary: Zzz.
Offset (on one side) and spray (on the other)
Kozo Cho Junpaku 15gr
4 folds
143 × 226 mm (5.62 × 8.89 in)
15 copies

2020—Accordion book, Verblist, Richard Serra
translation from english to french
Inkjet printer and laser printing
12 pages
143 × 226 mm (5.62 × 8.89 in)
2 copies

2019—Poster A0 (double-spread) with two folds, Séquences en feuille, feuilles, feuille-ton
text written for the Biennale de l’édition (publishing biennial) (at Rennes, fr) from the first issue: Le Mythe de Pierre published by Cosa Mentale
Inkjet printer
3 copies

2018—Book-box, Faire une bulle-enveloppe, «Être fleuve, Être fouille»
Research. « Faire »: the bulle-enveloppe object—invention of the writing—first artefact that looks like a mouth full of words.
« Être »: river and excavations from the artist Giuseppe Penone in relation with « Faire » exposed by the author Tom Ingold.
Laser engraving, laser printing and inkjet plotter
Washi paper 25gr, Japanese paper, cardstock and Bulk 90gr
96 pages
195 × 280 mm (7.67× 11.02 in)
1 copie

2018—Book, Les Plis, jardin du Luxembourg
with avec Louise-Emma Vasserot (textile designer)
sérigraphie et imprimante laser
2 copies

2018—Book-envelop, Correspondances: (a)(b)(c)(d)
Serigraphy, laser engraving and inkjet plotter
Wallpaper and Munken Print White 80gr 1.3
1 insert (cardboard)
12 pages
214 × 297 mm (8.42 × 11.69 in)
6 copies

2018—Letters and envelop, Ping-pong between Charlotte York and Mark
Ping-pong of images and text—written in the “object” place only— between Charlotte York (Maki Suzuki) and Mark (me).
Laser engraving and Inkjet print.
Accademia 320gr (cards) and Popset Black 240gr (sleeve-envelop)
10 pages: on for each exchange.
210 × 297mm (8.26 ×11.69 in)
1 copies

2017—«Pierre Faucheux et l'édition française» ("Pierre Faucheux and the French edition) conférence given by Alban Cerisier.
Serigraphy and Inkjet printer
12 pages
2 copies

2017—Les Champs magnétiques (The Magnetic Fields) written by André Breton and Philippe Soupault (1920) crossed with Les chants de Maldoror (The Songs of Maldoror) written by Comte de Lautréamont (Isidore Lucien Ducasse) (1869)
Offset printing
24 pages
25 copies

Foreward:
(The projects are presented in a almost chronological order)
((The technical and forwarding processes, the paper and others, the formats and numbers of copies are specified because they underline my relation to the manufacture of these objects.))

Other double-sided page: boxes & unboxes

Images, stories and objects

Atlantic Ocean and rivers

to weave
to braid
to tie
to form

Table of contents: (selection of projects)

2020: to point - to pick // to indicate - to gather. (object)

Mars 2021: Research, utopian events (posters with Elorah Connil)

January 2021: *l'ouvre* (Teaching. Workshop with Alexandru Balgiu)

2020: L'écriture phasme: jeux d'entre états. (book-essay-master)

September 2020: Master in graphic design, at Énsba Lyon, fr (with the congratulations of the jury)

2020: Au lever du jour. Entrent une opératrice, un presque dompteur et quelques éclaires. (book and objects)

2020: Index and chopsticks. (objects)

2020: Z, Zzz and Zigzags. (feuillet-leaf)

2020: Verblist, Richard Serra. (accordion book)

2018: Centre d'Arts Plastiques de Saint-Fons, Fr (visual identity: photographs and typeface)

2018: Faire une bulle-enveloppe, «Être fleuve Être fouille». (Book-box)

Spring 2018: Partout mais pas pour très longtemps… (exhibition catalog with Charlotte Carletto)

2018: Poussières d’or written by Marcelline Delbecq. (artist book (bouquet) with Alex Balgiu)

2018: Les Plis, jardin du Luxembourg (book with Louise-Emma Vasserot)

2018: Correspondances (a)(b)(c )(d). (book-envelop)

2017: Ping-pong between Charlotte York and Mark. (letters and envelop)

2017: Workshop with Philip Karrer, work on the concepts of additions and deletions (installation, objects)

September 2018: « Traits de penser », III tableaux : le tiret, la page et la table. (book-essay-bachelor)

2017: «Pierre Faucheux et l'édition française» ("Pierre Faucheux and the French edition) conférence given by Alban Cerisier.

2017: Les Champs magnétiques written by André Breton and Philippe Soupault (1920) crossed with Les chants de Maldoror written by Comte de Lautréamont (Isidore Lucien Ducasse) (1869)

Spring 2018: Exhibition gazette, La journée venais de finir…, Le Bel Ordinaire, Pau, fr. Imagined with Alain Papazian and Hadrien Tranchant

February 2018: Contribution to Approche A Revue, To think, to talk, to write, created by Ninon Chaboud et Jimmy Cintero, pages 10 –11

2018: Bibliopirati(s), 1. Parc des Buttes Chaumont, Paris / 2. La chambre d’Amour, Anglet /3. Ésad Pyrénées, Pau. With Alexandru Balgiu, Marika Belle and Charlotte Carletto.

June 2017: Designing Writing, Écal, Lausanne, ch — Assistant of Les Presses du Réel house publishing + invited to be Question Mark the Fox (character created by Oliver Lebrun).

Other images flowing from various moments

to do
to cut
to set
to cook
to listen
to build
to enumerate
to model
to knit
to scan
to share
to read
to tidy
to clean
to tell
to walk
to zigzag
to write
to watch
to sign
to preserve
to infuse
to kiss
to grip
to record
to save
to extract
to sleep
to distil
to continue

NOTES ON MY WORK

• Relationship to reading and translation.

• Parenthesis in parenthesis.

• Look obliquely.

• Duplicates, multiple instances, do and redo.

• Resemblance, mimicry and copy.

• A look at the mineral, the geological, the earth, the nature.

• Interpretation, appropriation and movement.

• The place of handwriting, the place of gesture.

• Look at the little things, inframince.

• The image of the rhizome, the bounce, the knot, and the braid.

• Objects with different degrees of appropriation, autonomous and non-autonomous objects.

• Relation to manufacturing, something of craftsmanship, wanderings in the work, events.

• Writing objects, everyday objects.

ONE

DEARS READERS AND WATCHERS,































…to my complete CV

April 2018—Exhibition gazette, La journée venais de finir…, Le Bel Ordinaire, Pau, fr. Imagined with Alain Papazian and Hadrien Tranchant.
Bachelor class project about Les livres Clubs.
Inkjet printer
12 pages
300 copies

nourishing readings

The color of pomegranates, Sayat Nova, 1969

I would be happy to exchange,…work with other person,…to talk about my projects and yours :-)

What time is it? What is time? How to write the time(s)?

2017—Bookmarks about ethnopoésie
Laser printing
both sides
50 copies

2017—Parler à textedit, research and experimentations about reading and translation
Laser printing and risography
40 pages
5 copies